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Butterfly & The Horizon The Ocean Symbolizes The Uncertainty Of The Future, And Its Deep Blue Color Reflects The Sadness I Have Carried Along The Way. The Butterfly Represents Me. It Is Flying Away, Showing That Even Though I Am A Refugee, I Am Still Trying To Move Forward And Not Let Who I Am Right Now Define My Future. The Butterfly Is A Symbol Of Transformation, A Reminder That Change Is Possible, And That Growth Can Emerge Even From Painful Beginnings. Its Colors — Red, Green, Black, And White — Represent The Countries And Identities That Have Shaped Me. Together, They Tell A Story Of Resilience, Hope, And The Belief In A Better Future. Fathiya Has Been Living In Indonesia Since 2018. She Has Sought Refuge From One Country To Another With Her Mother And Her Older Brother. Her Mother Was Forced To Leave Gaza, Leaving Fathiya’s Father Behind While Carrying Fathiya In Her Womb. Because Of This, Fathiya Was Born In Saudi Arabia. Despite Everything, She Deeply Loves Her Homeland. She Longs To Return To The Land Of Her Ancestors — To See It As A Free Nation, Independent And Liberated From Occupation. Fathiya W.J Kheira A Refugee From Palestine

Flowers In A Jar Sometimes, Beauty Doesn’t Need A Wide Garden To Grow. Sometimes, It Blooms Quietly—Within A Simple Jar. A Jar That Holds More Than Just Flowers, But Stories, Memories, And Gentle Moments Of Becoming. Like Flowers In A Jar, We Learn To Grow Where We Are Placed, To Find Beauty In Stillness, And To Bloom In Our Own Time. Shakila Live In Indonesia For The Past 12 Years, With Her Husband And Two Kids. She Has A Five Years Old Son With Mild Autism. And Also 2,5 Years Old Daughter. Her Wish Is That Her Son Gets Better As Soon As Possible, Learn How To Speak And Can Talk With Me Like Other Normal Children. And Go To School And Study As Well. She Want Her Family To Have Stability And A Normal Life, So That My Spouse And I Can Raise Our Children In Peace, Comfort, And Security. Shakila Gulzari A Refugee From Afganistan

A Growing Soul She Is A Woman Who Has Learned That Not All Beauty Comes From Light Alone. Some Of It Is Born From Struggle, From Nights That Taught Her How To Stand Again. Because Her Soul Is Still Growing, Layer By Layer, Season By Season. Wild, Resilient, And Endlessly Alive. I Came Indonesia In 2015 With My Family When I Was Five Years Old. We Left My Country Because It Was Not Safe. I Do Not Remember Much About That Time, As I Was Still Very Young. Somalia Has Experienced Prolonged Armed Conflict, Political Fragmentation, And Humanitarian Crises. I Have Now Been Living In Indonesia For Almost Ten Years. Because Of That, I Understand And Speak Indonesian Quite Well. Amal Abdikadir A Refugee From Somalia

Afghani Geometrical Red And Blue Geometry Unfolds Before Her, A Balance Of Fire And Calm, Passion And Clarity Woven Into Every Pattern. She Moves Like A Perfect Composition, Where Every Piece Has Its Place, And Every Line Leads Her Forwar, Because Life, Like Geometry, Is Not Random. It Is A Design Of Balance, Intention, And Meaning. Shakila Live In Indonesia For The Past 12 Years, With Her Husband And Two Kids. She Has A Five Years Old Son With Mild Autism. And Also 2,5 Years Old Daughter. Her Wish Is That Her Son Gets Better As Soon As Possible, Learn How To Speak And Can Talk With Me Like Other Normal Children. And Go To School And Study As Well. She Want Her Family To Have Stability And A Normal Life, So That My Spouse And I Can Raise Our Children In Peace, Comfort, And Security. Shakila Gulzari A Refugee From Afganistan

An Afghani Flower Inspired By Traditional Afghan Patterns, This Piece Carries A Story Of Heritage And Artistry. The Floral Mandala Design Reflects Balance, Beauty, And Timeless Culture—Crafted With Care And Meaning. Blending Natural Textures With Intricate Details, It Is More Than Just A Bag, It Is A Statement Of Elegance, Tradition, And Quiet Strength. Shakila Live In Indonesia For The Past 12 Years, With Her Husband And Two Kids. She Has A Five Years Old Son With Mild Autism. And Also 2,5 Years Old Daughter. Her Wish Is That Her Son Gets Better As Soon As Possible, Learn How To Speak And Can Talk With Me Like Other Normal Children. And Go To School And Study As Well. She Want Her Family To Have Stability And A Normal Life, So That My Spouse And I Can Raise Our Children In Peace, Comfort, And Security. Shakila Gulzari A Refugee From Afganistan

Diversity Seven Plants Stand Together, Each With A Different Color, Each With A Story Of Its Own. They Do Not Try To Be The Same. They Grow In Their Own Way, In Their Own Rhythm, With Their Own Light. Because True Beauty Is Not In Being Alike, But In Blooming Together, In All Our Differences. Shakila Live In Indonesia For The Past 12 Years, With Her Husband And Two Kids. She Has A Five Years Old Son With Mild Autism. And Also 2,5 Years Old Daughter. Her Wish Is That Her Son Gets Better As Soon As Possible, Learn How To Speak And Can Talk With Me Like Other Normal Children. And Go To School And Study As Well. She Want Her Family To Have Stability And A Normal Life, So That My Spouse And I Can Raise Our Children In Peace, Comfort, And Security. Shakila Gulzari A Refugee From Afganistan

Inner Strenght And True Identity A Woman’s Inner Identity As The Center Of Her Strength. The Central Flower Symbolizes Who She Truly Is—Her Roots, Culture, And Inner Self—While The Surrounding Leaves Reflect Her Continuous Growth And Progress. The Small Flowers Represent The Love And Support From Relationships That Enrich Her Journey, Showing That Strength Is Nurtured Both From Within And Through Connection With Others Esther Has Been Living In Indonesia For 13 Years. She First Arrived In 2013, Entering Through Tanjung Pinang Immigration By Boat. Esther Now Lives In Indonesia With Her Husband And Their Two Children, Who Are 12 And 8 Years Old. Esthar Kayalvili Kameleswaran A Refugee From Srilangka

Layers Of A Woman The Earthy Browns And Greens Reflect Strength And Stability While Red Flowers Symbolize Passion And Resilience Just Like The Many Layers Of A Woman. Revathi Prabaharan  Mishka Project Muse (Batch V)

Bright Like A Flowers The Red Flowers Speak Before She Does Bold, Vibrant, And Full Of Life. They Mirror Her Spirit: Warm, Confident, And Unafraid To Be Seen.She Doesn’t Need To Shine Loudly. Her Presence Blooms Naturally, Bright Like A Flower Touched By Sunlight. I Came Indonesia In 2015 With My Family When I Was Five Years Old. We Left My Country Because It Was Not Safe. I Do Not Remember Much About That Time, As I Was Still Very Young. Somalia Has Experienced Prolonged Armed Conflict, Political Fragmentation, And Humanitarian Crises.I Have Now Been Living In Indonesia For Almost Ten Years. Because Of That, I Understand And Speak Indonesian Quite Well. Amal Abdikadir A Refugee From Somalia

Monochrome In A World Full Of Colors, She Chooses Simplicit, Not Because She Lacks Vibrance, But Because She Understands Balance. A Monochrome Wallet Rests In Her Hand, White As Clarity, Black As Depth Patterns Flowing Like Untold Stories Across Its Surface. I Came Indonesia In 2015 With My Family When I Was Five Years Old. We Left My Country Because It Was Not Safe. I Do Not Remember Much About That Time, As I Was Still Very Young. Somalia Has Experienced Prolonged Armed Conflict, Political Fragmentation, And Humanitarian Crises. I Have Now Been Living In Indonesia For Almost Ten Years. Because Of That, I Understand And Speak Indonesian Quite Well. Amal Abdikadir A Refugee From Somalia

Bharatanatyam This Painting Conveys A Strong Cultural, Spiritual, And Emotional Message, Especially Connected To Sri Lankan And Indian Classical Dance (Such As Odissi And Bharatanatyam), As Well As Inner Transformation. A Dancer Offers Herself To Art, Culture, And The Divine —Where The Ego Disappears And Only Devotion Remains. Esther Has Been Living In Indonesia For 13 Years. She First Arrived In 2013, Entering Through Tanjung Pinang Immigration By Boat. Esther Now Lives In Indonesia With Her Husband And Their Two Children, Who Are 12 And 8 Years Old. Esthar Kayalvili Kameleswaran A Refugee From Srilangka

Stage Of Life Rooted In Strength And Love, A Woman Grows Upward With Hope, Continuously Blooming Through Every Stage Of Life. Love And Deep Emotion. Strength That Comes From Within. The Foundation Of A Woman’s Life. Learning And Evolving Through Experiences.New Beginnings, Dreams And Hopes, Opportunities Yet To Bloom. Esther Has Been Living In Indonesia For 13 Years. She First Arrived In 2013, Entering Through Tanjung Pinang Immigration By Boat. Esther Now Lives In Indonesia With Her Husband And Their Two Children, Who Are 12 And 8 Years Old. Esthar Kayalvili Kameleswaran A Refugee From Srilangka

Women In Yellow Dress Represents A Woman Becoming Confident, Radiant, And Strong Like A Blooming Flower. Represents A Woman Becoming Confident, Radiant, And Strong Like A Blooming Flower. Yellow Represents Joy, Energy, And Confidence. A Woman’s Life Is A Journey Of Growth, Strength, And Beautiful Transformation. Esther Has Been Living In Indonesia For 13 Years. She First Arrived In 2013, Entering Through Tanjung Pinang Immigration By Boat. Esther Now Lives In Indonesia With Her Husband And Their Two Children, Who Are 12 And 8 Years Old. Esthar Kayalvili Kameleswaran A Refugee From Srilangka

Baadvi Mandana Rooted In Baadvi Mandana Tradition, This Design Represents Strength And Culture While Contributing To A Meaningful Couse. Revathi Prabaharan Mishka Project Muse (Batch V)

Bloom Like A Lily These Two Flowers Carry Deep Cultural Meaning In Sri Lanka. The Central Red Glory Lily Flower Symbolizes The Identity And Heritage Of Eelam Tamils, While The Blue Flowers On Either Side Represent The Blue Water Lily, The National Flower Of Sri Lanka. No Matter How Dark Life Becomes, A Woman Blooms With Strength, Finds Peace, And Continues To Grow Beautifully. Esther Has Been Living In Indonesia For 13 Years. She First Arrived In 2013, Entering Through Tanjung Pinang Immigration By Boat. Esther Now Lives In Indonesia With Her Husband And Their Two Children, Who Are 12 And 8 Years Old. Esthar Kayalvili Kameleswaran A Refugee From Srilangka

Two Women Distinctive Style Two Women With Distinctive Style, One Is Wearing Turban Other Has A Sytled Headpiece Standing Separately In A Confident Poses. Even Though They Separated, They Both Represent Individuality And Confidence. Revathi Prabaharan Mishka Project Muse (Batch V)

Two Sides Of A Woman’s Face A Woman Goes Through Ups And Downs, But She Rises, Heals, And Shines Again. A Wonderful Woman Like You Deserves All Happiness. Stay Strong, Stay Beautiful, Stay You. You Are Stronger Than You Think And More Beautiful Than You Know. Esther Has Been Living In Indonesia For 13 Years. She First Arrived In 2013, Entering Through Tanjung Pinang Immigration By Boat. Esther Now Lives In Indonesia With Her Husband And Their Two Children, Who Are 12 And 8 Years Old. Esthar Kayalvili Kameleswaran A Refugee From Srilangka

Everything Is Connected This Is Inspired By Warli Art, Which Tells Stories About Life And Nature. I Chose A Feather Shape To Represent Freedom And Connection To Nature And The Patterns Inside Show How Evertyhing Is Connected. Revathi Prabaharan Mishka Project Muse (Batch V)

Silhouette Of A Woman In A Hat Flowing Colors To Show Movement, With A Silhouette Of A Woman In A Hat To Represent Elegance And Mystery, Allowing The Viewer To Imagine Her Personality And Story. It Highlights Self Expression Against A Vibrant Background. Revathi Prabaharan Mishka Project Muse (Batch V)          

Flower Kolam Flower Kolam Flower Kolam Symbolizes Welcoming, Positivity And The Streght Found In Every Rituals Reimagined To Carry Hope Beyond Homes. Revathi Prabaharan Mishka Project Muse (Batch V)

Two Warli Women Dancing This Bag Combines Blended Colors To Create A Soft, Flowing Effect With Two Dancing Warli Women That Represent Joy, Connection And Celebration. It Mixes Modern Designs With Traditional Storytelling. Revathi Prabaharan Mishka Project Muse (Batch V)

A Wild Soul She Carries A Wild Soul Untamed, Free, And Beautifully Fearless. Adorned With Green Leaves And A Seven-Petal Sun-Like Flower. The Green Leaves Whisper Of Growth, Of Roots That Stay Grounded No Matter How Far She Goes. Because A Wild Soul Is Not Lost She Is Simply Exploring The Beauty Of Becoming. I Came Indonesia In 2015 With My Family When I Was Five Years Old. We Left My Country Because It Was Not Safe. I Do Not Remember Much About That Time, As I Was Still Very Young. Somalia Has Experienced Prolonged Armed Conflict, Political Fragmentation, And Humanitarian Crises. I Have Now Been Living In Indonesia For Almost Ten Years. Because Of That, I Understand And Speak Indonesian Quite Well. Amal Abdikadir A Refugee From Somalia

THIS HAND PAINTED MADHUBANI BAG CARRIES THE RICHNESS OF INDIAN TRADITION AND A DEEPER PURPOSE SUPPORTING AND UPLIFTING REFUGEE COMMUNITIES. REVATHI PRABAHARAN MISHKA PROJECT MUSE (BATCH 5)

She’s A Boss Girl She’s A Boss Girl. Not Because Life Is Easy. She Doesn’t Wait For Opportunities She Creates Them. She Doesn’t Follow The Path, She Builds Her Own. Because Being A Boss Girl Isn’t About Perfection. It’s About Strength, Growth, And The Power To Stand Tall No Matter What. I Came Indonesia In 2015 With My Family When I Was Five Years Old. We Left My Country Because It Was Not Safe. I Do Not Remember Much About That Time, As I Was Still Very Young. Somalia Has Experienced Prolonged Armed Conflict, Political Fragmentation, And Humanitarian Crises. I Have Now Been Living In Indonesia For Almost Ten Years. Because Of That, I Understand And Speak Indonesian Quite Well. Amal Abdikadir A Refugee From Somalia

Growing Like A Leaves With Shoulder Length Hair Framing Her Face, She Stands In Stillness While Something Within Her Begins To Rise. Black Leaves Emerge—Unusual, Bold, And Deeply Rooted. Each Leaf Tells A Story Of Resilience, Of Moments Unseen, Of Strength Formed In Silence. Where Others May See Shadows, She Finds Space To Grow.She Grows Like A Leaf—Quietly, Patiently, Yet Full Of Purpose. I Came Indonesia In 2015 With My Family When I Was Five Years Old. We Left My Country Because It Was Not Safe. I Do Not Remember Much About That Time, As I Was Still Very Young. Somalia Has Experienced Prolonged Armed Conflict, Political Fragmentation, And Humanitarian Crises. I Have Now Been Living In Indonesia For Almost Ten Years. Because Of That, I Understand And Speak Indonesian Quite Well. Amal Abdikadir A Refugee From Somalia

Afghan Heritage Bloom In Every Line And Curve, There Is A Story Waiting To Be Heard. Inspired By The Patterns Of Afghanistan, The Design Carries Echoes Of Culture, Heritage, And Hands That Create With Patience And Soul. Like This Piece, We Carry Stories Within Us, Woven From Where We Come From, And Shaped By Everything We’ve Lived Through. Shakila Live In Indonesia For The Past 12 Years, With Her Husband And Two Kids. She Has A Five Years Old Son With Mild Autism. And Also 2,5 Years Old Daughter. Her Wish Is That Her Son Gets Better As Soon As Possible, Learn How To Speak And Can Talk With Me Like Other Normal Children. And Go To School And Study As Well. She Want Her Family To Have Stability And A Normal Life, So That My Spouse And I Can Raise Our Children In Peace, Comfort, And Security. Shakila Gulzari A Refugee From Afganistan.

She Sees With Her Heart She Had No Eyes, But She Looked Peaceful And Calm. A Little Girl Saw The Bag And Asked, Why Doesn’t She Have Eyes Her Mother Smiled And Said, Because She Sees With Her Heart. The Flowers On Her Head Were Special. The Red Flowers Gave Her Strength, The Green Leaves Gave Her Growth, And The Small Yellow Flowers Gave Her Hope. Shakila Live In Indonesia For The Past 12 Years, With Her Husband And Two Kids. She Has A Five Years Old Son With Mild Autism. And Also 2,5 Years Old Daughter. Her Wish Is That Her Son Gets Better As Soon As Possible, Learn How To Speak And Can Talk With Me Like Other Normal Children. And Go To School And Study As Well. She Want Her Family To Have Stability And A Normal Life, So That My Spouse And I Can Raise Our Children In Peace, Comfort, And Security. Shakila Gulzari A Refugee From Afganistan.

Pround To Be An Afghani Women Its Symmetrical, Mandal, Like Design Blends Warm Earthy Tones With Intricate Repeating Shapes, Reflecting A Rich Cultural Heritage And Handcrafted Artistry. Beyond Its Beauty, The Pattern Tells A Deeper Story, One Of Women’s Strength, Resilience, And Courage. It Echoes The Spirit Of Afghan Women, Including Those Living As Refugees, Who Carry Their Identity With Pride And Dignity. Each Detail Becomes A Symbol Of Endurance, Empowerment, And The Unwavering Pride Of Being An Afghan Woman. Shakila Live In Indonesia For The Past 12 Years, With Her Husband And Two Kids. She Has A Five Years Old Son With Mild Autism. And Also 2,5 Years Old Daughter. Her Wish Is That Her Son Gets Better As Soon As Possible, Learn How To Speak And Can Talk With Me Like Other Normal Children. And Go To School And Study As Well. She Want Her Family To Have Stability And A Normal Life, So That My Spouse And I Can Raise Our Children In Peace, Comfort, And Security. Shakila Gulzari A Refugee From Afganistan

Silent Colours (Unheard Voices) Behind Every Line, There Is A Story A Reflection Of Refugees Whose Voices Are Often Unheard, Not Invisible, But Silenced. The Artwork Represents The Quiet Emotional Struggles Of Displaced People. It Portrays Someone Filled With Feelings Yet Unable, Or Not Allowed, To Speak Them Aloud.The Painted Face And Hands Resemble A Mask, Showing Something To The World While Hiding The True Self Within. Esther Has Been Living In Indonesia For 13 Years. She First Arrived In 2013, Entering Through Tanjung Pinang Immigration By Boat. Esther Now Lives In Indonesia With Her Husband And Their Two Children, Who Are 12 And 8 Years Old. Esthar Kayalvili Kameleswaran A Refugee From Srilangka

Hidden Emotions This Painting Portrays A Woman Who Carries Beauty, Confidence, And Strength While Keeping Her Deepest Emotions Hidden From The World. Wearing A Large Hat Adorned With Flowers, She Is Illustrated In A Colorful, Abstract Style. Although Her Eyes Are Covered, The Artwork Conveys Powerful Meaning. Her Hidden Gaze Symbolizes Privacy, Emotional Protection, And Untold Stories. She May Appear Calm Or Even Smiling On The Outside, Yet Her Inner World Remains Unseen. Even Without Visible Eyes, Her Presence Feels Strong, Elegant, And Self-Assured. A Reflection Of Feminine Power And Self-Expression. Esther Has Been Living In Indonesia For 13 Years. She First Arrived In 2013, Entering Through Tanjung Pinang Immigration By Boat. Esther Now Lives In Indonesia With Her Husband And Their Two Children, Who Are 12 And 8 Years Old. Esthar Kayalvili Kameleswaran A Refugee From Srilangka